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We're back with another Transition Double Weekender! If there's one thing that we love about the Trance Family here in SG, it's that you guys never let up! To keep up with your high spirits, we're gonna be doing more Transition Double Weekenders! This April, we feature two Transition alumni. We're bringing them back cause you asked for it! But also just cause we can. Trance Family, see you on the Trance floor!
SAT 13th APRIL:
Exis is an Australian producer and DJ. The year 2017 has already started out with a massive impact with his remix for Armin van Buuren’s ‘I Live For That Energy’ ASOT 800 Anthem. It was played to thousands of people at the ASOT 800 Festival in Utrecht. This without a doubt has put his name on the global scale along with many other artists. In 2016, Exis also made huge career leaps as his track 'The Count' [Who's Afraid Of 138?! (Armada)] and ‘Anywhere (Exis Remix)’ [Universal Nation] both reached #1 on the Beatport Trance charts. Having two consecutive #1 tracks in a row, both tracks were also played on Armin's A State of Trance radio show three times and voted as Future Favourites. 'The Count' was played at renowned events such as Electronic Family and Tomorrowland while ‘Anywhere’ was played at Dreamstate and many more. Exis also remixed Orjan Nilsen's 'Violetta' early in 2016 which gained a great amount of support and reached #19 in the charts.
SAT 20th APRIL:
It takes a strong heart and inventive mind to live on the very top of the electronic dance scene – especially if your career spans nearly two decades. Luckily, German producer and DJ Alex M.O.R.P.H. holds both of these, along with a lively spirit that seems to feed on music. His ways with melody are widely known and loved, the M.O.R.P.H. sound a phenomenon that grabs the audience time and again, and the constant drive to reinvent himself is a mere reflection of his ability to stay ahead of the game. Backed up by a long list of highlights, yet ever looking out for the future, Alex M.O.R.P.H. is one of the rare characters to add color to the scene. And he’s not nearly done bringing the world his musical portrait.
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