One minute he’s rocking the roof off at Fabric with his tough and funky big-room underground house; the next he’s charming the pants off a more intimate crowd with everything from dubby disco, funk and hip-hop to trip hop and Latin batucadas. Armed wit..
One minute he’s rocking the roof off at Fabric with his tough and funky big-room underground house; the next he’s charming the pants off a more intimate crowd with everything from dubby disco, funk and hip-hop to trip hop and Latin batucadas. Armed with a sensitivity and sense of occasion that few DJs possess Bill Brewster knows how to work a crowd in the best possible sense.
Originally a chef, a football pundit (co-editor of fanzine When Saturday
Comes) and record collector, Bill began DJing in in the late 80s, but he cut his teeth playing ‘Low Life’ warehouse parties in Harlem and the East Village – he moved to NYC to run DMC’s US operation – and anyone hearing Bill today can see how these New York ‘roots’ shine through. For eclecticism, surprises, amazing unique music and sheer long-haul dedication to the dancefloor, Bill’s your man.
His other life is as a writer. Together with long-term pal Frank Broughton, Bill is author of the definitive history of DJing, Last Night A DJ Saved My Life, and has contributed his acid Grimsby wit and encyclopaedic knowledge of music to just about every dance rag there is, not to mention The Guardian, Independent and Mail On Sunday. The Brewster-Broughton double act unveiled their latest hit in 2002 with the uniquely sardonic DJ manual How To DJ (Properly). They have recently completed an updated version of Last Night A DJ Saved My Life that will be published in June, along with a double CD from Universal.
He’s an industry insider, having brought Twisted records to the UK and launched his own highly successful deep house label Forensic. In his spare time he is often found in the studio, either with Fat Camp partner, Theo Noble, re-editing old disco, funk and rock records; or producing original music. They run a small edit label Disco Sucks.
As his hero Kid Creole would say, 'Annie I'm not your daddy.'
WHAT THE PRESS SAY ABOUT BILL
“What Bill Brewster doesn’t know about disc jockeying is probably not worth knowing.” Jockey Slut
“What’s the best reason for playing a record? Because you love it. What’s the best reason for starting a party? Because no one else is doing it like you can. It’s pretty simple really, but so many DJs and promoters forget what got them excited in the first place. Bill Brewster hasn’t. The encouragement of DJs like Rocky (X-Press 2) and Jon ‘Beloved’ Marsh and promoters like Nikki Smith at Fabric (who rave about him) has spurred him on and club crowds are responding, too.” Time Out
“One of Fabric’s heroes is behind the decks for one of his multi-genre embracing sessions. It’s going to be a late one.” Metro
“The glamorous and bewitching Bill Brewster steps up to the ones and twos for more high-quality action. “ Tim Out New York
“You know people who memorise every release and DJ shoe size right back to 1875? That’s the Faith posse, that is. Led by Terry Farley and Bill Brewster, they’re a bit long in the tooth now – they’d have to be to have this musical knowledge – but this is simply unmissable: beautiful, varied and at times even tear-jerking.” Ministry on Faith Vol 1 CD
“The greatest book ever written about dance music.” Daily Mirror on Last Night A DJ Saved My Life
選択されたディスコグラフィ Bill Brewster
Group Therapy - Arty-Fact (Kamera Records, 1982)
Superstars Of Rock - Orange Sunshine (World Discotheque Movement Mix) (5X0-294, 1994)
Various - Praxis (Hooj Choons, 2002) Mixed
Jackson 5 - Body Language (Fat Camp Edit) (Motown, 2005)
Fat Camp - Don't Blame Us 4 The Boogie (Disco Sucks, 2005)
Imagine Magic (BB Edit) (Anorak, 2009)
Hotel Motel - Paying The Price/Novak (Under The Shade, 2010)
Hotel Motel - Eye No (Home Taping, 2010)